In the city of São Paulo a lot of couples kiss in public places, especially in the subway. It is an intriguing phenomenon, frequently observed if you are lost in the city – center of this megalopolis estimated at 20 million people. In fact, São Paulo is the largest and most populous city of the southern hemisphere; it is also known as the Cidade da Garoa. The Garoa is a fine and quite invisible drizzle. It seems that the drops are floating in the atmosphere rather than falling down from the sky. For this reason the majority of its inhabitants point out weather, “deslocamento” and “segurança” as the main problems of the city.

The deslocamento (displacement) concerns the time spent moving from a place to another, for example from home to office. In order to live happily in this megalopolis, a person should work and find a girlfriend in the same neighborhood where he lives. Probably, for this reason,a lot of couples usually give passionate kisses in the subway because they are not so sure if they will have another chance in the future.

Furthermore, São Paulo is perceived as a very dangerous place: assaults and robberies happen every day; being attacked is so common that this practice has almost become ritualized, even if it is rare to be hurt. However, the subway is perceived as a place where you can let your guard down and get involved in a passionate kiss, as if the world outside does not exist. Obviously safety is linked to a very unequal society: walking down the streets of downtown, you can realize not just how many people live in the street, but also how many helicopters fly through the sky.

Metropolitan kisses have thus become the "fil rouge" of this project’s story-telling. Living in São Paulo can be tough, the dimension of the city being at times overwhelming. In my project, people kiss to resist such a difficult and oppressive context. These stolen kisses are a key to open the door of this city, depicting its various shades and contradictions.